Art of Juliette

The workshop is moving.

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“The venue changes. The focus remains the same.”

What enables the workshop to continue when the venue changes?

My drawing has dried out; I’ve found it again. Time has
worked on it.

Before I start again, I tidy up and wipe things down. I
gather a few tools. I remove anything that
distracts my attention. These actions are not
separate from the work. They create the conditions
for resuming it.

Little by little, everything falls into place: my breath, my
gaze, my body, the space.

I can draw at a table, on a train,
under a tree, in a room, in a notebook
resting on my lap. The light changes. The
sounds change. The position of my body and the
surface available to me change.

The place changes. My focus remains.

I have never needed a canvas to draw. A
sheet of paper is enough. Sometimes a sketchbook, sometimes just a simple
pen.

The medium welcomes me. It does not dictate.

My studio is not confined to a single place. A
table, walls and tools may facilitate
its existence, but they are not enough to create it.

When I change location, I recreate certain conditions: finding a position,
clearing a surface, choosing a few tools,
removing what distracts me, regaining a sense of time. I
do not transport an intact studio from one place to
another. I reassemble it.

But every place influences this reassembly.

On a train, my body is not positioned in the same way as
when I’m at my table. On my lap, the paper does not
respond to my movements in the same way. A
room produces neither the same light, nor the
same distance, nor the same movements around
me as an outdoor setting.

I reconstruct conditions that are stable enough
to work in, whilst the location introduces
its own variations.

Moving then becomes a tool for
exploration. By changing location, I observe what
depends on the environment and what remains
constant in my practice. I distinguish between what I need
to work and what I was simply
used to finding around me.

Moving does not erase my points of reference.
It reveals which ones are necessary.

I am not pursuing an idea. I am pursuing
an encounter.

The drawing resumes.

The place has changed. Something of my practice
remains: something else has shifted
along with it.

I am not seeking a work of art. I am seeking
a sense of rightness.

The studio is no longer just the place where I
work. It becomes what I rebuild so that the
work can begin again.

Find Juliette Savaëte on her official website: www.juliettesavaete.fr

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